Error loading page.
Try refreshing the page. If that doesn't work, there may be a network issue, and you can use our self test page to see what's preventing the page from loading.
Learn more about possible network issues or contact support for more help.

Playback

Audiobook
1 of 1 copy available
1 of 1 copy available
Fast-talking, trouble-seeking private eye Philip Marlowe is a different kind of detective: a moral man in an amoral world. California in the '40s and '50s is as beautiful as a ripe fruit and rotten to the core, and Marlowe must struggle to retain his integrity amidst the corruption he encounters daily. In Playback, Marlowe is awakened early in the morning by a phone call from a lawyer. Clyde Umney instructs him to meet the eight o'clock train from Chicago, and shadow one of the passengers. The lady in question, Eleanor King, is beautiful, classy and clearly unhappy. Obediently, Marlowe follows her – all the way to Esmerelda, where she's going under the name Betty Mayfield and being leaned on by a cheap blackmailer. Stuck doing a sneaky job for people he doesn't like, Marlowe feels even grubbier than usual: and he's soon in more trouble than usual too as he comes up against gangsters, hard men and a hitman... Starring Toby Stephens, this exciting dramatisation retains all the verve of Chandler's last novel.
  • Creators

  • Publisher

  • Release date

  • Formats

  • Languages

  • Reviews

    • Publisher's Weekly

      May 29, 2006
      Chandler's 1948 screenplay was presumed lost until its rediscovery in Universal Studios' archives in the 1980s, although the author had adapted it into a Philip Marlowe novel in the meantime. More recently, a French publisher adapted it into a graphic novel that is now being presented in English for the first time. While the story has down the requisite cynicism, acerbic humor and casual violence of film noir, it lacks the compelling plots and timeless characters of the author's classic scripts. A whodunit centering on Betty Mayfield, a beautiful, doomed woman on the run from a troubled past, Playback
      starts promisingly enough with tough, brisk dialogue and the unusual Vancouver setting. Yet by the third act the plot is bogged down by its own dejected heroine, as Betty's permanent air of defeat proves more tiring than tragic. Despite Philippe Garnier's assertion in his introduction that the script was passed over due to the vicissitudes of the studio system, it's possible that an unrelenting gloom was the real culprit. Ayroles's art employs a stiff, angular woodblocklike style that does little to capture the dark eddies of Chandler's tale.

Formats

  • OverDrive Listen audiobook

Languages

  • English

Loading