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A Flag Worth Dying For

The Power and Politics of National Symbols

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1 of 1 copy available
1 of 1 copy available
Combining keen analysis of current events with world history, Tim Marshall, author of the New York Times bestseller Prisoners of Geography, provides "an entertaining whistle-stop tour of world flags" (Library Journal)—how their power is used to unite and divide populations and intimidate enemies.
For thousands of years flags have represented our hopes and dreams. We wave them. Burn them. March under their colors. And still, in the twenty-first century, we die for them. Flags fly at the UN, on Arab streets, from front porches in Texas. They represent the politics of high power as well as the politics of the mob. From the renewed sense of nationalism in China, to troubled identities in Europe and the USA, to the terrifying rise of Islamic State, the world is a confusing place right now and it's important to understand the symbols, old and new, that people are rallying around.

In nine chapters (covering the USA, UK, Europe, Middle East, Asia, Africa, Latin America, international flags, and flags of terror), Tim Marshall's A Flag Worth Dying For is a "brisk, entertaining read...that successfully answers a puzzling question: how can a simple piece of cloth come to mean so much? Marshall presents an informative survey of these highly visible symbols of national or international pride" (Publishers Weekly), representing nation states and non-state actors (including ISIS, Hezbollah, and Hamas), and explains how they figure in diplomatic relations and events today.

Drawing on more than twenty-five years of global reporting experience to reveal the true meaning behind the symbols that unite us—and divide us—Marshall "writes with the cool drollery that characterized the work of Christopher Hitchens or Simon Winchester" (USA TODAY). The "illuminating" (The New York Times) A Flag Worth Dying For is a winning combination of current affairs, politics, and world history and "a treasure vault for vexillologists, full of meaning beyond the hue and thread of the world's banners" (Kirkus Reviews).
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    • Publisher's Weekly

      May 8, 2017
      In this brisk, entertaining read, Marshall (Prisoners of Geography) successfully answers a puzzling question: how can a simple piece of cloth come to mean so much? Whether the flag flies the Stars and Stripes, the five rings of the Olympics, or the Jolly Roger, Marshall explores its origins and political significance. He attributes the importance of flags partially to the discovery of silk, which allowed them to flutter, not hang. But the meaning of a flag is in the eye of the beholder. The U.S. flag means liberty to American citizens, but oppression to the country’s detractors. Marshall pays particular attention to the significance of colors, which transcend borders: red for blood or struggle, white for peace and harmony, blue for the oceans, yellow for gold or wealth. In the Middle East, green stands for Islam. Flags can denote ideology, as in France and China. Modern hate groups appropriate symbols such as the Nazi swastika and the Confederacy’s Stars and Bars to make their extreme positions visible. Flags in the developing world, or for transnational organizations such as the UN and NATO, are often aspirational, expressing pride or hope for unification. Marshall presents an informative survey of these highly visible symbols of national or international pride. Agent: George Lucas, InkWell Management.

    • Kirkus

      May 15, 2017
      Of flags grand and old, black and blue, marking us and them and giving us all the license we need to kill.Flags, writes British journalist Marshall (Prisoners of Geography: Ten Maps that Explain Everything About the World, 2015), are fairly modern expressions of identity; they required the genius of China's silk industry in order to "flourish and spread" and "accompany armies onto battlefields." So they have done from the time of the Silk Road on, each bearing such significance that people have been willing to fight and die in its shadow. The tricolors of Italy and France, for instance, bear red, indicating "the usual blood spilled for independence." The flags of the Scandinavian countries are marked by crosses even though those countries are among the least churchly in the world--and on that note, Marshall points out the apparent irony that the most intensely Christian nations on the planet tend not to have Christian symbols on their flags. Not so the Muslim nations, whose flags bear the symbology of Islam. Bosnians, though predominantly Muslim, could not agree on a flag after the bloody civil war there, so the United Nations imposed one from outside, "devoid of religious or historical symbols." As for the black flags of various groups such as the Islamic State, so reminiscent of the pirates' Jolly Roger, they mean to suggest no good. Conversely, Marshall recounts the history of the LGBT flag, meant, in the view of its creator, the recently deceased Gilbert Baker, to suggest "the diversity of nature" and of people but now absent of its original pink stripe because pink is an unusual color for a flag and thus more expensive to manufacture. Country by country the author considers the great diversity of the world's flags, serving up with offhand affection a lively text full of interesting anecdotes and telling details. A treasure vault for vexillologists, full of meaning beyond the hue and thread of the world's banners.

      COPYRIGHT(2017) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Library Journal

      June 15, 2017

      Journalist Marshall (Prisoners of Geography) has written an entertaining whistle-stop tour of world flags. This book is roughly divided by geography and flag symbol: flags featuring crosses, flags of the Middle East, and so forth. There is, of course, an argument to be had with Marshall's choice of geographic divisions, but it makes as much sense as any other arrangement. Marshall has done (some of) his homework and relays a few interesting heraldic details about the construction of flags as visual symbols. However, students of diplomacy or nationalism will find little new here. Marshall's choice of groups, as mentioned above, is problematic, and his text does not even approach the analytical. He excels at the personal and anecdotal, and the strongest sections relate his own encounters with various flags and individuals connected with them. VERDICT A quick read best suited for general audiences. Those in search of a more scholarly treatment should look elsewhere.--Hanna Clutterbuck-Cook, Harvard Univ. Lib., Cambridge, MA

      Copyright 2017 Library Journal, LLC Used with permission.

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