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The Winner Stands Alone

A Novel

ebook
1 of 1 copy available
1 of 1 copy available

"[Coelho's] special talent seems to be his ability to speak to everyone at once. The kind of spirituality he espouses is to all comers. . . . His readers often say that they see their own lives in his own books."
—New Yorker

From the bestselling author of The Alchemist, Paulo Coelho, comes an absorbing new novel that holds a mirror up to our culture's obsession with fame, glamour, and celebrity.

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    • Publisher's Weekly

      April 6, 2009
      Spanning 24 hours during the Cannes Film Festival, this scintillating parable about shallowness, greed and celebrity worship from international bestseller Coelho ("The Alchemist") unsparingly examines the Superclass, the elite's elite, whose members' dependence on luxury corrupts. Wealthy Russian businessman Igor Malev, who's obsessed with his ex-wife, Ewa, now married to a fashion designer turned producer, morphs into a serial killer to get Ewa's attention. No one is immune as Igor targets a comely street vendor, an influential movie distributor and a big-name actor. The power plays among the various directors, movie stars, starlets and producers make Igor's antics appear almost banal in comparison. Coelho's trademark mysticism and spiritual messages provide an extra boost to the thriller plot. "(Apr.)" .

    • Publisher's Weekly

      June 29, 2009
      Coelho's latest blends spiritual allegory with elements of a thriller and does not lend itself to an easy audio production. Paul Boehmer singlehandedly tackles a cast of characters with a wide spectrum of languages and ethnic identities. The action surrounds 24 fateful hours at the Cannes Film Festival, as Igor kills off members of an elite “superclass” in a sociopathic rage against his ex-wife, Ewa. Boehmer provides a carefully constructed accent and speech pattern to his portrayal of Igor, and delivers an equally impressive turn as Ewa's current spouse, a Middle Eastern fashion mogul. Yet other principal figures in the story—particularly the female characters—do not receive the same attention to vocal detail; consequently, the dialogue exchanges sound uneven. A Harper hardcover (Reviews, Feb. 9).

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  • English

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