Error loading page.
Try refreshing the page. If that doesn't work, there may be a network issue, and you can use our self test page to see what's preventing the page from loading.
Learn more about possible network issues or contact support for more help.
Always available
Always available

ACT IScene 1. The ghost of Old Hamlet, King of Denmark, has appeared to officers guarding the castle of Elsinore. When the apparition is witnessed by Horatio, friend of the Dead King's son, he fears that it portends ill. He decides to tell young Hamlet, hoping that the ghost might reveal to him the cause of its restlessness.Scene 2. The dead king's brother, Claudius, has assumed the crown and married the widowed Queen Gertrude. He dispatches emissaries to Norway where the king's nephew Fortinbras is threatening Denmark with war. The King and Queen urge young Hamlet to cast off his dark mood. Once alone, the prince vents his violent grief at his father's death and outrage at his mother's "incestuous" remarriage. Wen Horatio tells Hamlet about the ghost, he too suspects foul play.Scene 3. Laertes warns his sister, Ophelia, not to take seriously Hamlet's attentions because, being a prince, he is not free to make his own choices in matters of love. Scene 4. Hamlet and Horatio meet on the battlements. The ghost appears and beckons to Hamlet to follow him. Scene 5. The ghost describes to Hamlet how it was murdered by Claudius. It urges him to revenge the crime.

ACT II Scene 1. Polonius, a garrulous counsellor and father to Ophelia and Laertes, instructs Reynaldo to investigate the kind of life Laertes is leading in Paris. Ophelia describes Hamlet's bizarre behavior to Polonius who attributes this to her recent rejection of him. Scene 2. The King and Queen ask Rosencrantz and Guildenstern, old friends of Hamlet, to discover the cause of the prince's erratic behavior. The King of Norway has stopped Fortinbras' preparations for war against Denmark. Polonius takes Hamlet's scathing and capricious wit as proof of his insanity. Hamlet greets Rosencrantz and Guildenstern warmly, but becomes suspicious of their motives. He is, however, pleased to hear that a company of players has arrived at Elsinore. Once alone, he berates himself for his failure to undertake his revenge. He plans to have the players enact King Hamlet's murder and to observe Claudius' reaction as a way of ascertaining his guilt.

Act III Scene 1. Rosencrantz and Guildenstern have failed to uncover the reason for Hamlet's behavior. Hamlet shocks Ophelia with his crude and bitter contempt for women and marriage. Their conversation is overheard by Claudius, who recognizes that it is not thwarted love that is responsible for Hamlet's dangerous instability. He resolves to send him on a diplomatic mission to England to get him away from the court. Polonius suggests that Gertrude should persuade Hamlet to confide in her; he himself will eavesdrop on their conversation. Scene 2. Hamlet tells Horatio to watch Claudius during the play for signs of guilt. As a murder identical to that of King Hamlet is enacted, Claudius rises in fright and calls for lights, thus ending the performance. Hamlet is summoned to his mother's closet and vows to "speak daggers to her, but use none." Scene 3. Claudius orders Rosencrantz and Guildenstern to accompany Hamlet to England. Once alone he expresses agony at his dreadful crime. Hamlet comes upon him trying to pray, but desists from killing him on the grounds that, were Claudius to die in prayer, his soul might go to heaven rather than hell. Scene 4. Hamlet harangues Gertrude so violently that she cries out for help. Polonius responds from his hiding place and Hamlet, believing him to be Claudius, stabs through the arras, killing him. He then continues his furious indictment of Gertrude, until the ghost enters, reminding him of his mission. Having implored his mother to repent, he drags away Polonius' body.

ACT IV Scene 1. Gertrude is now convinced of Hamlet's madness and Claudius...

  • Creators

  • Series

  • Publisher

  • Release date

  • Formats

  • Languages

  • Levels

  • Reviews

    • AudioFile Magazine
      Simon Russell Beale portrays the tragic Prince of Denmark in Shakespeare's most quoted play, with actress Imogen Stubbs playing the fair Ophelia. This production of HAMLET, produced exclusively for the Archangel Shakespeare audio collection, is a gem worthy of repeated listening. Paul Jesson provides a beautifully dramatic, but strangely un-ghostly, soliloquy as the King's ghost. Also in the cast are Jane Lapotaire as Gertrude, Bob Peck as the murderous and incestuous Claudius, and the late Norman Rodway as the garrulous Polonius. Music composed by Dominique Le Gendre supplies evocative interludes between scenes, and a handy printed insert provides a track list, cast list, and scene-by-scene summary of the play. S.E.S. (c) AudioFile 2008, Portland, Maine
    • AudioFile Magazine
      Experience the heartrending dark humor of HAMLET in this CBC broadcast. Though definitely of the Old-Time Radio variety in sound and format, the penetrating depth of the performances and the passion of the players provide timeless tragedy. The production manages to envelop the listener in its shroud of drama and brilliant writing, defining the chilling and eerie passages for which the play is known. Time seems to stand still as Peter Haworth as Hamlet emotes his suicidal sarcasm. Listen to this audio theater gem during the gloomy dusk, and you may be heard to say, "Though this be madness, yet there is method in't." D.J.B. (c) AudioFile 2004, Portland, Maine
    • AudioFile Magazine
      This BBC Radio presentation combines a full cast--featuring Kenneth Branagh in the title role--with stirring music and sound effects to bring this lengthy, difficult play to life. A number of production touches help the listener. Seven of the eight cassette sides end with the conclusion of a scene, and appropriate music signals the end of each act. In addition, a twenty-four-page booklet offers insight into each character as seen by the actor who plays each part. Listeners would benefit, however, from a brief synopsis of each scene, as well as mention of the characters who appear in them. P.B.J. (c)AudioFile, Portland, Maine
    • AudioFile Magazine
      Listening to Hamlet again, one is struck by how many of the play's lines have become etched in our collective memory--from the Dane's early soliloquies to his humorous exchange with the grave digger in the final act. It's all here in this recording, of course, and the acting is largely excellent. Bob Peck as Claudius stands out in particular, while Simon Russell Beale's Hamlet does, perchance, put on a little too much antic disposition. It's also accompanied by the usual Arkangel signatures--helpful scene summaries in the liner notes and appropriate original music. D.B. (c) AudioFile 2000, Portland, Maine
    • AudioFile Magazine
      It's hard for any director to make HAMLET sound new, so Naxos has done the opposite: they've made it sound old. This is a remastered version of a 1948 performance with John Gielgud in the title role. Though the sound quality is better than you'd expect, some of the dramaturgy seems outdated now, and the actress playing Ophelia is noticeably weak. But Gielgud overpowers any shortcomings, demonstrating why he owned this role during his career and why all subsequent Hamlets try to measure up to him. In the music of his voice, all the play's famous soliloquies and witty exchanges that you've heard a dozen times before suddenly sound freshâ an ironic pleasure in a sixty-year-old recording. D.B. (c) AudioFile 2007, Portland, Maine
    • AudioFile Magazine
      This American-accented HAMLET is a churning, turbulent production with many fine moments resulting from its fast pace. This energy may inevitably lead to a few missed opportunities for quiet and meditation (or for the listener to have a respite), but the overall effect is satisfying. The greatest range is shown by Emily Swallow as Ophelia. Stacy Keach is also excellent--imposing, chilling, and nuanced as the ghost. Josh Stamberg plays Hamlet as tormented and confrontational. One of his finest touches enhances the outset of the recorder scene with restraint and calm. Listeners who follow along with a text of the play will best keep up with the rapid pace. G.H. © AudioFile 2012, Portland, Maine

Formats

  • OverDrive Listen audiobook

Languages

  • English

Levels

  • Lexile® Measure:700
  • Text Difficulty:3

Loading