Error loading page.
Try refreshing the page. If that doesn't work, there may be a network issue, and you can use our self test page to see what's preventing the page from loading.
Learn more about possible network issues or contact support for more help.

Waiting for Godot

Audiobook
1 of 1 copy available
1 of 1 copy available

Samuel Beckett, one of the great avant-garde Irish dramatists and writers of the second half of the twentieth century, was born on 13 April 1906. He died in 1989. He won the Nobel Prize for Literature in 1969. His centenary will be celebrated throughout 2006 with performances of his major plays, but the most popular of them all will be, without doubt, the play with which he first made his name, Waiting for Godot. It opened the gates to the theatre of the absurd as four men appear on the stage, apparently with purpose but (perhaps) waiting for someone called Godot. It is stark, funny, bemusing and still deeply affecting half a century since its first production. In this new recording for Audiobook, John Tydeman, for many years head of BBC Radio Drama, takes a fresh look at one of the milestones in Western drama.

It follows the highly acclaimed recordings of Beckett’s Trilogy, Molloy, Malone Dies and The Unnamable published by Naxos Audiobooks.

  • Creators

  • Publisher

  • Awards

  • Release date

  • Formats

  • Languages

  • Reviews

    • AudioFile Magazine
      Samuel Beckett's classic tragicomedy is known its lack of plot--"Nothing happens, nobody comes, nobody goes, it's awful!" Two old tramps beneath a single tree make jokes to pass the time and reflect on the state of human existence while they wait for Godot--who never comes. This audio version emphasizes the pathos over the slapstick (we can't see Estragon's pants falling down or the hat-swapping routine). David Burke adeptly channels Estragon's hopelessness with a pitiful and childlike whine while Sean Barrett's Vladimir employs a more hopeful and coherent tone. Nigel Anthony as narrator is subtle and effective at doing the work of the stage directions (how else would we know what the often mute Lucky is doing?) so we understand the spare stage that helps communicate the bleak theme. A.B. (c) AudioFile 2006, Portland, Maine
    • AudioFile Magazine
      Beckett's WAITING FOR GODOT has been called the quintessential play of the twentieth century. This 1997 Stratford Festival production, recorded before an audience in Toronto, benefits from good casting and wise direction. McCamus and Ouimette, as the attendant Vladimir and Estragon, have a rapport that's evident from their first lines, and their rapid exchanges of dialogue are often very funny. Blendick brings a sonorous, Orson Welles-like voice to the frighteningly absurd character of Pozzo. The small ensemble adheres well, and it's supported by convincing sound effects, music, and recording quality. D.B. (c) AudioFile 2002, Portland, Maine

Formats

  • OverDrive Listen audiobook

subjects

Languages

  • English

Loading