A Slave in the White House
Paul Jennings and the Madisons
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Creators
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Publisher
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Release date
April 10, 2012 -
Formats
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OverDrive Listen audiobook
- ISBN: 9781611748604
- File size: 309097 KB
- Duration: 10:43:57
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Languages
- English
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Reviews
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AudioFile Magazine
Paul Jennings, a freed man who once was a slave owned by James Madison, wrote about his experiences with the president. His brief account--only the last 16 minutes of this audiobook--concentrates on the War of 1812, including anecdotes about black soldiers and the removal of Washington's portrait. Kevin Kenerly's reading sets the mood well, particularly in the war stories. Judith West reads Elizabeth Dowling Taylor's history of the Madisons and the times Jennings lived in with emphasis on the attitudes of the era. Taylor sets the stage well for Jennings's writing. Still, Jennings's book will likely be just enough to make listeners wish that more of his words had survived. J.A.S. (c) AudioFile 2012, Portland, Maine -
Publisher's Weekly
September 26, 2011
The complex relationship between a president and his bondman abounds in ironies in this revealing study. Historian Taylor reconstructs the life of Jennings, a slave belonging to President James Madison who became his valet, barber and major-domo, bought his freedom from Madison’s widow Dolly, and published admiring reminiscences of the couple. Taylor fleshes out slender sources into a convincing recreation of Jennings’s relatively privileged but precarious existence, setting it against a vivid portrait of the deeply conflicted Madison, a theorist of liberty who lived off of slave labor and a master who prided himself on his paternalism yet broke his vow never to sell his “charges.” At the heart of the story is the tension between the warm human relationship between Madison and Jennings and the remorseless inhumanity of slavery as an institution and ideology; in one tragicomic vignette, Madison declaims into a guest’s ear trumpet about slaves’ unfitness to live free among whites—while his servants studiously pretend not to hear him. Taylor paints a fascinating portrait of slavery, hypocrisy, and one man’s quiet struggle to overcome its injustices. Photos.
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