Every Breath You Take

September 17, 2001
The latest from respected true crime veteran Rule (And Never Let Her Go,
etc.) walks readers through the tortured life and ugly murder of Sheila Bellush, a woman relentlessly pursued by her sexually obsessed ex-husband, Allen Van Houte. The crime scene is horrific: Bellush lies dead in the kitchen while her toddler quadruplets are left to walk naked through her blood. Bellush had long warned close friends that she feared her ex-husband's reprisals and went so far as to request "if I'm not here... find Ann Rule and have her write my story." Rule, in classic form, meticulously re-creates the prosaic lives of her characters, charting one woman's pleasantly humdrum existence undermined by a man bent on making a fortune though defaulting on bank loans and pedestrian cons, such as swindling family members. After he lured Bellush into his world of sexual play, she left him, and he hired a man to kill her. The subsequent fallout included a complex and lengthy inquiry by investigators. There are no surprises here for the reader, though some may enjoy Rule's examination of Van Houte's manipulative and predatory nature. Essentially, this account is too long for its limited subject matter. (Oct. 15)Forecast:Sixteen of Rule's 18 books have been bestsellers, and the Free Press is pushing this with a 10-city tour, a 20-city radio satellite tour and floor displays. But it's possible that less-than-favorable word-of-mouth will cut into sales.

April 1, 2002
As in her previous true-crime accounts, Rule presents the facts of a murder case with all the intrigue, suspense and characterization of an accomplished novelist. Listeners learn how young Sheila Bellush met and married charismatic Allen Blackthorne, only to find that his charming exterior hid a ruthless, abusive swindler. After years of beatings and the birth of two daughters, Sheila left him and later remarried and had quadruplets. Alan also remarried and was hugely successful in business, but seemed obsessed with the need to punish Sheila for leaving him. When she was found brutally murdered, her toddlers crying and huddled around her body, investigators quickly found the culprits—but were they sent by Sheila's ex-husband, or did they act on their own? Veteran narrator Brown strikes just the right note in her reading. Her voice is varied and expressive, not one-note, and pleasant to listen to. But apart from a touch of sympathy, she is not emotional and does not project herself into this nonfiction account. Instead, she steps back and lets the story tell itself, altering her voice slightly to indicate a quote and deepening it a bit if it's a man talking, but not offering character voices. Based on the Free Press hardcover (Forecasts, Sept. 17, 2001).